THE ARRIVAL

Reviewed 9/05/2015

The Arrival cover

THE ARRIVAL
DIRECTED BY: David Twohy
Genre: SCIENCE FICTION
Major Cast
Charlie Sheenas Zane Zaminsky
Lindsay Crouseas Ilana Green
Richard Schiffas Calvin
Shaneas JPL Guard #1
Ron Silveras Phil Gordian / Mexican Guard
Teri Poloas Char
Phyllis Applegateas Mrs. Roosevelt
Alan Coatesas Lecturer on Terraforming
Leon Rippyas DOD #1
Buddy Joe Hookeras DOD #2
Javier Morgaas Co-worker
Tony T. Johnsonas Kiki
Catalina Botelloas N.C.A.R. Woman
Georg Lillitschas Computer Tech
David Villalpandoas Mexican Cabbie
María Luisa Coronelas Hotel Maid
Ellen Bradleyas Screaming Woman
José Garcíaas Planecorp Guard
Jorge Becerrilas Planecorp Guard
Luisa Huertasas Security Woman
Jorge Zepedaas Detective
Roger Cudneyas JPL Official
Mónica Dionneas Reporter #1
Alejandro Usiglias Reporter #2
Jacqueline Voltaireas Reporter #3
Dave Galassoas JPL Guard #2
Ree Johnsonas Maintenance Man
Ángel de la Peñaas Man with Skeleton Puppet
Andrea Sisniegaas Weather Woman
MPAA Rating:PG-13
Production companies:Live Entertainment
Steelwork Films
Mediaworks
Distributor (US):Orion Pictures
Release Date (US):5/31/1996
Lifetime Box Office:$14,000,000 (Est.)
Production Budget:$25,000,000 (Est.)

PLOT SUMMARY

Zane Zimanski is a radio astronomer — one of the gung-ho sort who's eager to receive ET's message. He does receive a signal, apparently of ET origin; but he can't confirm it. Worse luck: his grant is about to run out. He goes to Phil Gordian, his boss at JPL, to plead for more. But Gordian gives him the song and dance about budget cuts and says the signal was probably from a terrestrial source anyway, "like last time." Still, Zane has the tape. He gives it to Gordian to analyze.

We next see Zane working as a home satellite dish installer. One day he gets an idea: phased array! He can rewire many of those home dishes into one that is effectively as big as the radio astronomy dish he was using. He goes on a rewiring marathon and sets up a control station in his attic. While he's monitoring the network late at night, he hears a noise at the window. It's Kiki, the little neighbor boy. Startled, Kiki falls into a tree where Zane finds him hanging by his feet. The kid mouths off to Zane, who initially leaves him hanging there, but then relents and lets him watch while explaining the work.

Sure enough, a signal identical to the first shortly booms in. But this one appears to come from Earth — in fact from a Mexican AM radio station whose call sign the announcer gives as XMRRR.1

Another plot thread has Ilana Green, a climatologist, puzzled by flowers she finds growing in the Arctic tundra. She too finds no support: promised data on greenhouse gases are not available due to a failure in a NASA satellite, and no one will tell her the launch date of the scheduled replacement satellite. But she calls in favors from friends, and finds out that the highest concentrations of GHGs are in central Mexico and several other third-world countries. Incredibly, over the past 5 years, the concentration of GHGs has gone up 700% in those limited areas. She has a friend run a simulation. If the increases continue unchanged, Earth's mean temperature will rise by 12°C in a decade, bringing catastrophe for human civilization. She heads to Mexico to investigate.

She and Zane meet there, only partly by chance; they have pursued separate lines of evidence that lead to the same place. Ilana is killed, but Zane stumbles into the heart of the mystery — and what a mystery it is! Then he escapes to confront Gordian again. Gordian gives him the key to foil the conspiracy, but he, his girl friend Char, and Kiki have to go through a lot in order to use it.

This film gives us awesome sets and settings, beautifully photographed. The action scenes are intense but never over-the-top. The suspense is edge-of-your-seat level. The acting is competent. The technical aspects cohere with the film's original premises. And all these elements are tied together with a well-constructed plot that's nearly bulletproof.

There are some discrepancies. A few are:

I may have missed other similar gaffes. But that's my point: the gaffes are minor enough that they don't detract from the enjoyment of the film.

My Rating:
9 out of 10

Capsule review: The Arrival is outstandingly inventive in its premises while staying mostly true to the science of radio astronomy. It also develops the effort to suppress Zane's discoveries in chillingly sinister ways. The sets are awesome; the special effects are clever and never overdone. The end result is one fine, absorbing science-fiction mystery film.

Trivia:

Despite favorable reviews by Roger Ebert and other critics, The Arrival made back only half of its $25M budget at the box office. This shortfall was partly due to the release of Independence Day just a month later.

The film was released on Blu-ray disc in 2009. Unlike the laserdisc version, the Blu-ray has no special features and lacks the alternative ending.

IMDB Rating: 6.3 Raters: 25,177
1 The station, whether its call sign is XMRRR or XMRSL, is fictional. Although call signs for Mexican radio broadcast stations (unlike those in the U.S.) can be up to 6 letters long, an FM station's call letters would begin with either "XE" or "XH".
2 See European allocations for radio astronomy.
3 These are Emperor Scorpions, which are actually quite harmless. That makes sense, of course, from the point of cast & crew safety. They do look dangerous enough.
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