THE ABYSS

Reviewed 3/07/2017

DVD cover

THE ABYSS
DIRECTED BY: James Cameron
Genre: SCIENCE FICTION
Complete Cast
Ed Harrisas Virgil 'Bud' Brigman
Mary Elizabeth Mastrantonioas Lindsey Brigman
Michael Biehnas Lt. Hiram Coffey
Leo Burmesteras Catfish De Vries
Todd Graffas Alan 'Hippy' Carnes
John Bedford Lloydas Jammer Willis
J. C. Quinnas 'Sonny' Dawson
Kimberly Scottas Lisa 'One Night' Standing
Captain Kidd Brewer Jr.as Lew Finler
George Robert Klekas Wilhite
Christopher Murphyas Schoenick
Adam Nelsonas Ensign Monk
Richard Warlockas Dwight Perry
Jimmie Ray Weeksas Leland McBride
J. Kenneth Campbellas DeMarco
Ken Jenkinsas Gerard Kirkhill
Chris Elliottas Bendix
Peter Ratrayas Captain
Michael Beachas Barnes
Brad Sullivanas Executive
Frank Lloydas Navigator
Phillip Darlingtonas Crew Member
Joseph C. Nemec IIIas Crew Member
Joe Faragoas Anchorman #1
William Wisher Jr.as Bill Tyler
Marcus K. Mukaias Anchorman #2
Wendy Gordonas Anchorwoman
Paula Crossas Young Woman
Thomas F. Duffyas Construction Worker
Chris Anastasioas Truck Driver
Emily Yancyas Woman Reporter
Michael Chapmanas Dr. Berg
Tom Isbellas Wave Reporter
Mike Cameronas Sailor with Fire Extinguisher (u)
Daren Dochtermanas News Reporter (u)
Mikhail Gorbachevas Himself (u -- Archive)
Candice Hillas Beach Guest (u)
James Lattaas Benthic Explorer Crew Member (u)
Randy Robertsonas Russian Sailer On Dock (u)
Robert Searleas Tommy Ray Dietz (u)
MPAA Rating:PG-13
Distributor:Twentieth Century Fox
Release Date (US):8/09/1989
Running Time:145/171 minutes
Languages:English
Domestic Box Office:$54,222,000
Foreign Box Office:$?
Production Budget:$70,000,000 (Est.)
Crew
PRODUCED BY
Gale Anne HurdProducer
Van LingProducer (special version)
DIRECTED BY: James Cameron
Writing Credits (WGA):James Cameron
Original Music:Alan Silvestri
Cinematography:Mikael Salomon
Film Editing:Conrad Buff IV
Joel Goodman
Howard E. Smith
Steven Quale (special version)
Casting:Howard Feuer
Production Design:Leslie Dilley
Art Direction:Peter Childs
Russell Christian
Joseph C. Nemec III
Set Decoration:Anne Kuljian
Costume Design:Deborah Everton

PLOT SUMMARY

On patrol near Cuba, a "boomer" — a Navy submarine carrying 24 ballistic missiles with nuclear warheads — spots a bogey moving at 60 knots. Nothing should be able to move that fast underwater — especially without engine or propeller noise. The sub follows it into a narrow canyon; when the bogey approaches within 60 yards, the sub loses all power and collides with the canyon wall, drifting downward. Soon, power returns. But they are now too deep to blow the ballast tanks; they continue to sink until pressure staves in the bulkheads. The crew are entombed in a watery grave.

The Navy has the special equipment required to salvage the wrecked sub. But a hurricane is heading for the area; they cannot get it there in time to beat the storm. A civilian team is operating an undersea habitat at an oil wellhead not too far from the wreck; they are ordered to inspect it. A SEAL team joins them to supervise. The plan is to disconnect the habitat from its umbilical to the support ship on the surface. Then it will move to the sub's location to act as a mobile base of operations. Lindsey Brigham comes along because she designed the habitat; she is estranged from Virgil "Bud" Brigham, and there is tension between them.

The SEAL team, knowing they will be out of touch with their base, executes Plan B: collect a nuclar warhead and arm it to destroy the sub, keeping it out of Russian hands. Unfortunately, to do this they have taken the habitat's big rig — the one needed to disconnect the umbilical. The storm hits before they get back. On the surface, the support ship loses a stabilizer and the crane holding the umbilical tumbles off the ship. It heads straight down for the habitat. Luckily for our side, it just misses. But then it tilts over and falls down a ledge, dragging the habitat with it. There is much shaking and jostling, and a furious dogging of hatches. But the habitat comes to rest, still not too deep for survival.

Doing a survey outside, Lindsey catches a glimpse of something she can't describe: a living creature of some sort, but like nothing she knows. She hesitates to tell anyone.

Meanwhile, the leader of the SEAL team goes psycho. He locks himself in the compartment with the warhead and straps it to an ROV, intending to send it to the sub. He has a big fight with Bud (Ed Harris) and then takes the big submersible again after mounting the ROV to it. There is a big bumper-car battle between his submersible and a smaller one driven by Lindsey, during which the ROV is dislodged and plunges into the depths. The larger vehicle, deprived of power, follows it helplessly — the SEAL glaring balefully through the glass until it implodes on him.

That warhead is still a threat, timed to detonate in two hours. There is nothing for it but to send a diver down to disarm it. But how can anyone survive at such depths? There is one chance: the special diving gear the SEALs brought, in which you breathe oxygenated liquid. Bud hastily dons that and drifts down, down: a mile... two miles... ending 16,000 feet from the surface and beginning to suffer the disabling effects. But he finds the warhead and manages to disable it, afterward typing his farewells. But it's not all over for brave Mr. Brigman; whatever is lurking even farther below finds him and saves him.1

First of all, this is an expensively mounted film, and the expense was worth taking. The underwater action sequences ably convey a sense of conflict and jeopardy, and they are supported by satisfying levels of technical detail. The creature effects are beautifully done and impressive — actually a bit too impressive, in my opinion.

The actors too turn in uniformly excellent performances. If there is anything wrong with this film, it is that it overdoes things. It has too much: too many cliffhanger situations; too much shaking and plunging and ramming; too many desperate swims, one followed by a desperate resuscitation of Lindsey, and culminating in the desperate plunge of Bud Brigman to the bomb; too much structure in the visitors' vessel, when it finally rises to the surface.

And conversely it has too little. We never learn one substantive thing about these visitors: not what they are, nor where they came from, nor what their intentions may be — except that their intentions are evidently benign. (They'd better be benign, because by revealing themselves in this way to a hostile world they're begging for a bruising.)

So, despite being a bit overlong2 and over-the-top, and lacking any explanation for the visitors and their altruistic behavior, this film is impressive on all levels. The DVD package includes both theatrical and extended versions. There are also special features, which reveal that a good deal of technical innovation (new diving gear, for example) went into the film.

My Rating:
8 out of 10

Capsule review: Although a bit overlong, The Abyss is impressive on all levels, not at all dated, and well worth watching.

IMDB Rating: 7.6 Raters: 136,108
1 Why? Because he's a good guy; he wears a white wet suit.
2 It's a bit long in running time, at 145 minutes (171, extended edition). But I call it overlong because it draws out its jeopardy scenes.
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